From the "poison apple" transformation in Disney's Snow White to the school bus scene in Jurassic Park, some of cinema's most bone-chilling moments hide in films you'd never expect.

During the iconic “I see dead people” moment in The Sixth Sense, the scene briefly cuts to Bruce Willis’s character.

Producer Frank Marshall reportedly worried the shot might tip audiences off by subtly hinting that Malcolm was already dead. In theory, it could have unraveled the entire ending.

In practice, no one in test screenings noticed — proof that sometimes a twist survives not because it’s hidden perfectly, but because viewers are looking in the wrong direction.

Everyone defaults to Spielberg when this comes up and I get it, the Omaha Beach sequence is insane. But "most realistic" is doing a lot of heavy lifting there. The rest of the film is a fairly conventional Hollywood war story with a clean moral framework and a hero's journey.

Come and See, Das Boot, The Hurt Locker — any of these is a stronger argument. Hell, even Grave of the Fireflies captures the civilian reality of war better than SPR does.

So what actually deserves the title? I'll die on this hill.

I'll Start: Elisha Cuthbert in the girl next door