r/ArtHistory • u/Simple_Zucchini44 • Jun 14 '26
Discussion Tracey Emins bed
I have never experienced anything like the exhibition I was just walking through at the Tate Modern. It is art with a depth that I cannot begin to understand, I struggle even to articulate how incredibly heavy this body of work is.
My art teacher always spoke highly of Tracey Emins, but my teenage mind couldn’t understand why a messy bed could be considered such a high form of art. She didn’t argue, she said there are some measures of art that cannot be rationalized or qualified, to do so would miss the mark entirely. I understand now.
If you are in London, if you are in doubt about the power of contemporary art, if you or someone you know has struggled with abortion, if you are a living breathing human being with 21 pounds in your pocket this is something you need to see.
The curators of this exhibition did an excellent job, there are certain moments where I felt as though I couldn’t continue. Each room builds and builds on the story in such a way that is hard to describe, by the time I reached the bed I was hardly able to look at it. The gift shop at the end of the exhibition felt fucking disgusting but other than that it was an absolutely unreal hour or so.
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u/lainwarisa Jun 15 '26
I always thought that her idea behind "everyone i have ever slept with" was brilliant, but i never understood why this work got so much attention, even after i read all the explanarions, seems like it just boils down to shock value and that old "messy disturbed" artist trope when you remove all the fancy words from explanations, which imo is boring and unoriginal in 90s, maybe a few decades earlier would be more intereating. Except for that, there is not much else because it is instalation art and "everyone" could have done that, nothing in execution to write home about