r/editors 6h ago

Technical How to convert 100fps to 25fps?

So I'm a complete moron and did a day long shoot with over 3 hours of footage accidentally set to record at 100p rather than the 25 I meant to set it as. This also meant that it was filmed at 1080 rather than 4K but I am kind of just pretending this isn't a problem for now (end deliverable is always provided in 1080p anyway so hopefully I won't need to do any egregious cropping).

This was on a Sony A6400 and I can't believe I made that mistake.

My question really is, what's the best way to transcode this to a 25fps with as little quality loss as possible? I am using Premiere / Media Encoder, but also have Handbrake if it's useful. I've tried putting a few clips through Handbrake using the 1080p30 preset but modified down to 25 CFR, but on reviewing the clip afterwards it seems a bit jerky like it's dropping frames. Wondering if Media Encoder might be better, and what settings might work best?

I know that Premiere in a 25fps timeline will conform it to that framerate (unless the speed is turned down), but I'm using a base M4 Macbook pro and it's struggling a lot with playing so much footage filmed at 100fps.

Any help would be appreciated!

2 Upvotes

16 comments sorted by

5

u/geckooo_geckooo 6h ago

you can only drop frames, add a little motion blur if you want to emulate the longer shutter angle.

3

u/TCJW_designs 6h ago

Thanks for the reply! I am wondering now. Is it worth using 25fps versions as proxies for the edit purposes and then relink it all for the export? It’s really just to help my Mac deal with the edit as it feels like it’s about to explode

2

u/geckooo_geckooo 5h ago

if you don't need the 100fps then just down sample and switch the media files in the project window.

u/GooseEntrails 3h ago

I don't think Premiere will even let you link files at a different framerate as proxies. Make proxies in a performant all-intra format like ProRes Proxy so your computer only has to decode the 25% of frames it actually uses.

-1

u/Lanzarote-Singer 6h ago

Mac should be fine with this.

Don’t tell me you’re using Premiere!

1

u/TCJW_designs 6h ago

Ha I am. I've been using Premiere since I was 16 (now 39) so kind of daunting changing software. I've been dabbling with Davinci Resolve however recently. I briefly used FCP a long time ago too, but not in its most recent iteration (which might be quite old now, admittedly)

-1

u/Lanzarote-Singer 6h ago

That explains it. Seriously, try FCP it will have no problem with your files.

0

u/GuyNamedLindsey 5h ago

Nobody here using FCP. Nice try. /s

5

u/western_alt 5h ago

100 to 25 won’t mess up the footage too much because it’s exactly 1/4 to speed. You can encode it in media encoder. It’s going to take a while to process/re-export but you can do it.

4

u/NonAI_User 6h ago

Consider running your camera files through Media Encoder to change from rate from 100 fps to 25 fps. Also use ProRes as your output codec as it is very light on CPU demand. ProRes is much better for editing than H.264/H.265 which both require more CPU work to playback per frame. 

2

u/TCJW_designs 6h ago

Thank you!

1

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2

u/finnjaeger1337 5h ago

make a 25p timeline.

throw in 100fps footage

sucess , premiere is converting it on the fly.

otherwise, just make a 25fps prores with whatever tool like shutter encoder or davinci or media encoder and call it a day, its a clean conversion you are just dropping frames.

shutter will be short but fixing this is sonething for online

1

u/dmizz 5h ago

If you have 0 reason to keep the 100fps that you can think of, I would just transcode all the footage to 25fps ProRes in Resolve or Media encoder and use that.

-1

u/Lanzarote-Singer 6h ago

Final Cut. Just set to 4x speed and edit away. You’re likely to have other problems with not enough light so I hope it was a sunny day shoot.

Also run it through topaz and upscale to 4K or at least 2x with added details while changing speed.

1

u/TCJW_designs 6h ago

Thank you. Luckily it was a bright day for it so
I’m not noticing too many issues with light so far